This is a collection of all the DMPs I made and I precomped during the Andor show in Scanline VFX, last year. I've build the environment managing layout, matchmoving and, most of all, tons of refs I bashed into a 120 degrees projected from a single project camera in Nuke, used for all the shots in this scottish landscape sequence. On the other hand me and the DMP team in Scanline were in charge to remove all the vegetation from the quarry and conform it in order to be reusable for all the shot with just some refining work.